Proof

In Proof, there is a contrast presented between the abstract and concrete aspects of life. Claires life revolves around everything that is practical while Catherine relies more on things that are theoretical. These choices cause problems in each sisters life in that they are both disconnected from the real world and neither can relate to other(a) tidy sum, including each other.

Catherine focuses on the theoretical, let her life revolve around things that are not tangible, things that other people cannot necessarily see. Early on in the play, Catherine figures bulge out that the number of days she has wasted because of her depression is a mathematically significant number. Math is a very abstract comprehension and this scene shows how mathematically minded Catherine is. It also shows how easily she is able to think abstractly. Her father helps her mathematically manipulate this number good before he admits that he is, in fact, dead at the time of this conversation. Again, Catherine is commiting on something intangible, the mental representation of Robert. While Robert was ill, Catherine stayed with him to cut care of him emotionally. She did not typically wash dishes, clean the house, or pay bills, Catherine was taking care of her fathers emotional state.



In her mind, she was do sure he stayed well by having someone to rely on for the intangible aspects of life.

Because Catherine lives in the abstract, she is unable to relate to people who live in the real world. Because of this and other reasons, she has no friends. She tells her father, in order for your friends to take you out you generally do to have friends. Most 25 year olds would go out with friends on their birthday; the fact that she has no friends is odd and causes the audience to...

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