"How does Alfred Hitchcock explore the duality of human nature in the film Psycho?"

Alfred Hitchcock uses many shipway to explore the duality of gentlemans gentleman nature in his films, especially in the 1960 horror thriller Psycho. The duality of human nature represents our inner self, aspects that are mainly opposites, the light screening good, the dark showing perversive, the natural and the unnatural, are just just about examples of human nature. Hitchcock explored the duality of human nature using ways such as lighting, dialogue, camera angles, music, comparing and contrasting what divergent characters would do when facing the same problem and identity. According to Carl Jung, individuation is when a person confronts they inner side (usually the dark, negative and evil side). He believed that successful individuation meant that a person non only confronted their dark side, but conquered it as well and that wad needed to recognise and confront the negative aspects of their personality or their dark side would destroy the person. This means that inside everyone, in that location is a darker side, an evil and bad side, that must be confronted, or it will ruin you. By looking at the 2 main characters Norman and Marion, and two minor characters, Sam and Lila, we gutter see the duality of human nature. Both Marion and Norman are being confronted with their inner dark self, yet, Marion conquers her dark side, while Norman lets it take over his life.



Sam and Lila, however, are mostly seen as good and natural.

There are many key scenes throughout the movie Physco, which explore the duality of human nature. Some of these scenes include the opening scene, the scene in which Marion is driving away subsequently taking the money and the parlour scene.

The blackness of Psychos opening credit sequence symbolizes death and the opening scene of Psycho starts with a pan view of the cityscape of Arizona.

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