Destiny And Tragedy

Destiny and Tragedy Jeremiah Okimasis experiences a physical travel, suggestioning both his mental and spiritual side. At age six, Jeremiah is thrust into the unfriendly and sometimes painful world of a Catholic residential school. His journey is filled with hardships, as he faces the schools desire for conformity. Consequently, he undergoes an intragroup battle, resulting in the denial of his own Cree hereditary pattern. Through music, just now does Jeremiah determine a retreat from the realization of his identity.

Tomson Highways, Kiss of the Fur tycoon attacks both Western religion and its abuses. Father Lafleur is depicted as a snake-like person, whose abuse upon young Jeremiah at Birch Lake Indian Residential School, is more mental than anything else.

Now Jeremiah. You know youre not to give tongue to Cree once youre off the plane. Jeremiah felt a erode breaking against his throat. (70) The priest enforces a strict rule to speak only English as a method to skid away individuality and impose conformity. This form of mental correspond is matched with the physical confinement of the boarding school, thus resembling a prison camp to control aboriginal subjects. For example, there is a deem awarded to those who rat out the most number of students for speaking Cree. This make outs as a way of breaking down the community by turning the Cree against each other.

Jeremiah experiences a struggle within himself approximately the culture he is born into ? this existence the Cree culture, which he attempts to deliver through most of his natural life. Furthermore, he believes that there is no such thing as a modern native culture, save rather thinks of it as primitive way of life. In turn, he uses this way of thinking to justify his strong censure of his roots.

I dont even know if I enjoy being Cree, he knew he shouldnt say. That his embarrassment had descended to a simmering disfavour dismayed him. But why shouldnt he hate this place, these seamy goings-on, this conquered race of people? (174) Jeremiahs perception of his culture is that of a carnival, a Buffalo Bill Wild West Extravaganza (171), ? untamed and embarrassing. Take for instance the scuffle between him and Amanda Clear convulse at the Pow Wow hosted by The Winnipeg Indian friendly relationship Centre. Jeremiah is disgusted by Amandas choice of regalia, her dancing outfit, and scoffs that only Hollywood Disney Indians dress like that.

Despite all the difficulties he faces, it is only through the spiritual virtue of classical music does Jeremiah happen salvation from reality. He perceives the art of music as if a little child perceives his warm puppy ? with feelings of companionship, understanding, and comfort. These emotions that Jeremiah now occupy in his adult life, were first established during his puerility, fiddling almost with his folk instrument, the accordion, alongside his family.



Though initially unaware of this, Jeremiah gradually developed a passion for making music, consequently maturing into an peachy concert pianist. Similarly, he assures a sense of gratification in the form of music, and uses the grand piano to keep in touch with reality, yet dismissing the negative aspects that accompany it; for instance the struggle to find his identity.

[Jeremiah] was on his way to drown himself in the                            bittersweet melodies of Chopins mazurkas when avoiding atomic number 7 Main Street became an absolute necessity. (170) Not only does Chopins mazurkas, for instance, serve as a form of classical music in which Jeremiah can find a retreat from the City of Winnipegs tainted lifestyle, but also from his Cree culture.

The physical journey experienced by Jeremiah in Kiss of the Fur Queen is the reflection of the psychological and spiritual state of his own self. He begins his early childhood in a Catholic boarding school, and consequently perceives his heritage as being uncivilized, somewhat based on the schools ideology. He does not want to acknowledge any connection with the Cree culture, but rather abandons his identity by seeking salvation through music.

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